Classics & More on DVD (Jun. 29, 2015)

Here are our latest reviews of films on DVD.

Reviews of Classic Films

Around the World with Orson Welles

Sean Axmaker @ Keyframe

  • Excerpt: Welles foregrounds the machinery of moviemaking, reminding us that he’s brought a crew with him, and he manipulates his documentary footage as aggressively as he does in his fictional storytelling.

The Bridge

Nicholas Bell @ Ioncinema

Day of the Outlaw

Sean Axmaker @ Parallax View

  • Excerpt: ne of the toughest, most tension-filled pictures from Andre de Toth, a studio filmmaker who could be counted on to bring a savage edge to his assignments.

The Fisher King

Nicholas Bell @ Ioncinema

Killer Cop

Sean Axmaker @ Parallax View

  • Excerpt: The northern capital of Milan, the symbol of modernity and progress in the Italian cinema of the 50s and 60s, is the epitome of official corruption and the urban mob in the crime cinema of the 70s.

Man, Pride and Vengeance

Sean Axmaker @ Parallax View

  • Excerpt: Man, Pride and Vengeance (1967), from director Luigi Bazzoni and star Franco Nero, is a respectable find.

A Master Builder

Nicholas Bell @ Ioncinema

The Premature Burial

Sean Axmaker @ Parallax View

  • Excerpt: Like most of Corman’s Poe films, the script (this one by Charles Beaumont and Ray Russell) borrows little more than the central idea and the title from Poe. This one owes a debt to Gaslight and Diabolique…

Le Silence de la Mer

Sean Axmaker @ Parallax View

  • Excerpt: Melville called it an “anti-cinematic” film, and he creates the expressiveness in what remains unspoken, the glances and gestures that take on grand drama in the minimalist presentation.

Spider Baby

Nicholas Bell @ Ioncinema

Stunning Debuts: Terrence Malick’s Badlabds

Emanuel Levy @ www.EmanuelLevy.com

  • Excerpt: Terrene Malikc made a stunning debut in 1973 with Badlands, which world-premiered at the N.Y. Film Fest, announcing the arrival of a major artist

The Trial (1961)

Sean Axmaker @ Keyframe

  • Excerpt: The legal system is a literal maze in Welles’ visualization and the disparate locations all lead back to one another.

Recent Home Video Releases

Cross

Peter Nellhaus @ Coffee, Coffee and more Coffee

Der TodesKing

Peter Nellhaus @ Coffee, Coffee and more Coffee

The Island of Dr. Moreau (1977)

M. Enois Duarte @ High-Def Digest.com

Only this animated release could overshadow 2 Studio Ghibli films

Sarah Gopaul @ Digital Journal

  • Excerpt: This week’s releases include concluding seasons to two engaging TV series; three charming animated films, one of which is an Oscar winner; a couple of sci-fi movies with widely differing budgets; and a teen comedy with the potential to become a classic.

The Story of Adele H

M. Enois Duarte @ High-Def Digest.com

Two comedies at opposite ends of their runs out this week

Sarah Gopaul @ Digital Journal

  • Excerpt: This week’s releases include a not-so-scary double feature that shows the darker side of ‘80s horror movies; and a couple of TV series at the start and end of their runs.

Other Reviews from 2012 and earlier

The Apple

Gregory J. Smalley @ 366 Weird Movies

  • Excerpt: The Apple’ pulls you in many different directions: you’re never quite sure whether to tap your toes, roll your eyes, drop your jaw, or bring up your lunch.

Bruno & Earlene Go To Vegas

Jennie Kermode @ Eye For Film

The Castle of Sand

Dennis Schwartz @ Dennis Schwartz Movie Reviews

Humanoids from the Deep

James Jay Edwards @ FilmFracture

  • Excerpt: Cinema Fearité Bids Farewell To James Horner With One Of His Earliest Works – ‘Humanoids from the Deep’

Innocence

Gregory J. Smalley @ 366 Weird Movies

  • Excerpt: …a rare blend of the allegorical and the inexplicable, satisfying both hemispheres of the brain. It doesn’t feel essential, but it is so verdant and lovely that it should be seen by more people than it has been.

Knives of the Avenger

Roderick Heath @ This Island Rod

  • Excerpt: The pseudo-historical setting allows Bava this leeway; Knives represents an exact mediation between the classic peplum movie and the western which was supplanting it in popularity in Italian genre cinema…

Man in the Shadow

Roderick Heath @ This Island Rod

  • Excerpt: Directed by Jack Arnold, Man in the Shadow blends modern-dress western with noir-soaked attitudes, but also follows Arnold’s string of sci-fi epics with telling overlaps.

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